Jim waits separately, which allows the reader to infer that he is markedly different and removed from the other townspeople. (including. Before the pallbearers can even bring the coffin into the house, Harvey’s mother rushes outside in an exaggerated performance of her grief, “shrieking” about her son’s death.
2 Donatello, an introduction.
everything you need to sharpen your knowledge of The Sculptor's Funeral. “The Sculptor’s Funeral” relates the story of a sculptor’s return to his hometown—a town he fled as a young man to pursue his art—to be buried. Other articles where The Sculptor’s Funeral is discussed: The Troll Garden: The story “The Sculptor’s Funeral,” originally published in McClure’s in 1905, concerns the reactions of the townspeople in a prairie village when the body of a famous sculptor is returned to be buried there.
Sand City is a fictional Kansas town in which the story is set. A tension exists between who Laird becomes and the ghost of his lost potential.
Ironically, it is this same symbol the townspeople curiously crowd around. Indicative of the kind of abuse Harvey must have suffered as a child, Steavens has a difficult time listening to Roxy’s beating. He and Harvey went to school in the East together—Jim came home to become the lawyer the town intended him to be while Harvey stayed in the East, becoming the artist he intended to be. Teaching as a performance: How one teacher stays connected to his class; Sept. 24, 2020. The story represents Sand City’s culture as generally toxic, as the townsmen are generally greedy and obsessed with money. More than anything else, to the two men who might have known him best, Harvey is an artist requiring a category all his own. Detailed explanations, analysis, and citation info for every important quote on LitCharts.
Perhaps it is systemic—there is something cursed about a town incapable of raising respectable men. Our, LitCharts assigns a color and icon to each theme in. Wanting Steavens to remember Harvey as truly he was, Jim speaks up against the townspeople’s harsh defamation.
Cather subverts typical gender norms through her violent, almost repulsive, descriptions of Mrs. Merrick. Annie’s “orgy of grief” contains vivid imagery evoking excess and hedonism, even when indulging in displays of emotion. By leaving Sand City, Harvey escaped the corruption and hypocrisy that would have prohibited him from the pursuit of his art.
To Jim, Harvey Merrick is above reproach, because he was able to throw off the shackles chaining him to Sand City. Jim recounts that at other funerals of Sand City locals, the townsfolk responded with similar scathing stories about the person who died. The heavy man turned on his heel without replying, and walked up the siding. Well within the scope of literary naturalism, Mrs. Merrick is described by the disjointed sum of her parts. Themes include: Western (Town) Society versus Eastern (City) Society; Social Justice; Parenting; Materialism; Education versus Work (hard vs easy), Home .
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